i-sapte

Spécifications des produits

① Pot φ8.6×H6cm  
② Plat de présentation φ17×H3.2cm    
③ Assiette plate W18.8×D9.5×H1.65cm
④ Assiette éventail Saranip W9.5×D18.1×H1.65cm
⑤ Assiette éventail Aotor W9.5×D18.1×H1.65cm
⑥ Petite assiette (ronde ) φ8.8×H1.3cm
⑦ Petite assiette (carrée) W8.6×D8.6×H1.3cm
⑧ Porte-couvert W9×D4×H0.2cm(2set)

Boutique

Conception du produit par Yoriyuki Suzuki(JUNKO KOSHINO Co.,Ltd)

Le concept de design de Junko Koshino, « Taikyoku »*, inclut les notions de « rond » (symbolisant des choses pleinement accomplies, telles que la nature, la Terre et l’espace) et de « carré » (symbolisant des choses logiques créées sur la base du raisonnement humain). En utilisant ces concepts, nous cherchons à créer un design incomparable grâce à l’unité des aspects opposés de deux cultures distinctes : l’artisanat traditionnel aïnou, utilisant principalement le bois comme support, et les techniques de fonderie de Nousaku, utilisant l’étain.

* « Taikyoku », qui se traduit approximativement par « contraste extrême », est la beauté créée en fusionnant deux éléments différents tout en conservant leurs caractéristiques opposées.

Profil


NOUSAKU

In 1916, Nousaku began manufacturing Buddhist ritual objects, Japanese tea sets and vases made of brass and bronze in Takaoka, Japan. The city has flourished since 1609, and built its reputation as the center of the copper industry in Japan over those 400 years.
Casting is a manufacturing process in which a molten metal is poured into a mold to form an object of the desired shape. Every Nousaku product starts with the creation of a sand mold, and then undergoes several finishing processes. Hand-finishing by experienced craftsmen accentuates its material beauty and fineness.

Toshiya Kawanano

Ainu Craft Artist / Native of Osachinai, Biratori Town, Hokkaido
Since 2008, has been actively involved in the cultural heritage activities of the Ainu people as a staff member for the Iwor Regeneration Project in the Biratori region of the Public Interest Incorporated Foundation Ainu Culture Promotion and Research. Organization (*) Also, a member of the Nibutani Craft Cooperative Association, diligently working as a young craftsman on the creation of Ainu traditional crafts.
In recent years, has produced many Nibutani Ita. Striving to create works that are appreciated for their "beautiful patterns," not only by the seniors in the Nibutani community but also by those unfamiliar with Ainu crafts. Pays attention to detailed preliminary drawings before entering wood carving.
Born and raised in Nibutani, BIratori Town, actively involved in various activities beyond the production of Ainu crafts. Aspires to continue passing on the knowledge learned from seniors to juniors and endeavors to become a trusted figure in the local community regardless of age.
In 2020, participated in the Hokkaido Ainu Association's "Hokkaido Ainu Traditional Crafts Exhibition" and received an encouragement award.
*Since the fiscal year 2020, it has been incorporated as the Biratori Town Ainu Culture Promotion Public Corporation.

Shogo Harada

Ainu Craft Artist / Native of Nibutani, Biratori Town, Hokkaido
Born and raised in Nibutani, has been actively involved in preserving the Ainu culture as a staff member for the Iwor Regeneration Project in the Biratori region of the Public Interest Incorporated Foundation Ainu Culture Promotion and Research Organization (*) since 2008. In addition to his role in the project, he was a member of the Nibutani Craft Cooperative Association, where he dedicate himself as a young artist to creating works of Ainu traditional crafts.
In 2020, participated in the "Ainu Craft Sales Expansion and Artisan Development Program" conducted by Hokkaido. In the production of "Nibutani Ita," he prioritizes the design of patterns, the precision of carving, and overall aesthetic appeal. He strives to carry on the spirit of Nibutani and actively engages in local initiatives.
*Since the fiscal year 2020, it has been incorporated as the Biratori Town Ainu Culture Promotion Public Corporation.